Recycling the eclipse
In my sheltered world, hippies and trancers don’t live harmoniously side by side. In my stereotyped view, people who dance to trance are off their heads on party drugs that sustain them through hours and days of dancing to a repetitive beat. In my head hippies are natural and flowing and mix with creative crowds, preferring didgeridoos to synthesizers. In my world, hippies don’t attend trance parties, or doofs (if you’re an Australian partyer). At least, this is what I used to believe.
The Eclipse 2012 festival would show me otherwise.
The event will host a huge music lineup of the world’s leading musicians and DJ’s, outstanding artists and decor crews, a dedicated workshops and intentional healing space, extensive food and market stalls and a perfect viewing platform only a short distance away from the eclipse centre line of totality path. Link
My world started to expand and any preconceived ideas about 24/7 beats and dancing, about everyone being cocktailed to the highest high, about being disconnected from the world in order to appreciate the world started to shift. I knew it would happen. Why else was I here?
Apart from the total solar eclipse itself. Oh yeah. That was the real reason.
But if it was just about being present at the total solar eclipse then I could have instead nestled in amongst astronomers from around the world on purpose built viewing platforms somewhere else, somewhere close.
No, from the moment I’d heard about the festival I’d been determined to go. I wanted to fling out my arms and dance uninhibited at whatever time of the day I pleased, I wanted to be filled with thoughts and ideas about the future direction of the world, I wanted to immerse myself in a new experience and surround myself with beauty in all its forms. What an indulgence.
DJ set backdrop on the Sun Stage
The Eclipse 2012 festival ticket and website were the first giveaways to something beyond a primitive party, making reference to a ‘spiritual’ festival, to ‘healing spaces’, to consciousness raising, to an array of workshops and speakers and films designed to inspire change and open the mind.
And why else do we travel?
The music itself was not the catalyst for me to part with AU$350. Despite there being six stages, I barely recognised any names in the line-up, other than the likes of Fat Freddy’s Drop and Tijuana Cartel, both on the Earth Stage, the only truly live stage at the festival. If I’d ever been into the trance scene or had stood longer on Australian ground, I’d probably have been aware of the reputation of some of the other acts, but it was all new to me. No bad thing.
Food and relax stops
Getting involved in yoga and craft classes, lounging out listening to learned folk discuss current thinking in relation to the upcoming cosmic and spiritual shift (including the impending end of the Mayan calendar), dancing under the sweet kiss of sprinkling water, of being surrounded by sculptures and murals and living art, that is what convinced me to join thousands of people for a week of celebrations rather than huddle quietly with the odd cluster of scientists and astronomers for one night only.
And so the days went by and people stomped and bounced day in, day out, taking moments to refresh themselves with fruit juices and wholesome, fair priced curries, to solar shower away a thick caking of dust, to chat and catch-up with friends, new and familiar.
Daytime Sun Stage raving
Sprinkler dancing @ the Sky Stage
Doofer in training
Beach feel flake out
Polka dot dresses and exaggerated face paints, tutus and lederhosen, basking on the branches of living art, taking dips in crocodile cleared waters, window shopping the work of artisans more concerned with their craft than making a sale, catching a ride on a motorised sofa, relaxing in the women’s shelter, watching fire art, learning to hula-hoop, re-gathering at camp for water refills and sustaining snacks.
Sun, shade and crocodile warnings
Tutus and wobbles
Parasols, fishnets and boat sails
Art branch moments
Base camp catch-ups
And sleeping. It’s amazing how one learns to sleep through a constant beat.
Through life and travelling I have had the good luck to meet and share time with a real range of people – a spectrum so broad that my mind should find no space for stereotypes. Yet I still have my assumptions, my preconceived ideas based on everyone I’ve previously met and everything I know. And of course it’s limited.
Stereotypes have some basis and function, maybe to act as a compass to enable us to find ‘our type’ and fellow ‘types’, maybe to guide the un-established personality and set them off in a specific direction. Maybe they offer some tribal comfort? I guess the only real danger is not being able to see beyond them.
At Eclipse 2012, stereotypes loomed large, on an ocular level. If you wanted to see society’s versions of a dreadlocked, grungy hippy, a dancing nymph dressed in floaty tie-dyed skirt, a yogi in lotus meditation, they appeared. If you looked for the sweaty, gurning raver clutching a water bottle and repeating moves in their own little world or sporting Day-Glo, hot panted outfits, they too existed. The Japanese wedding in a fusion flurry of traditional-clubbing kitsch, the self-important eco-speaker, the meticulously costumed regular festival goer, the wise old earth mother. They were all at Eclipse 2012.
Temples (and makeshift church)
But sometimes hippies chewed their faces up. And sometimes pig-tailed raver chicks needed no more than the music to get high.
Stereotypes flipped, were stretched and distorted. Earth mother surprised me with her mushroom journeys. Famous drummer intrigued me with his gentle nature. Dreamy types brought considerate, well-behaved children to basket weaving classes. And the raver sat with a stranger during a bad trip, talking them through some crazy moments until a place of relative calm was reached.
Morning at the Moon Stage
More often than not, the festival was a whole lot more wholesome than one might expect. Good food. Good company. Good support. Good dancing. Beyond good.
Of course the craziness existed. As with many a party, a continuum of personalities coloured and enriched the event. But it’s what most those people did that made the event; they spoke, they performed, they danced, they painted, they played; they – an army of artisans and thought-leaders and revelers – created a beautiful visual and sensual feast of celebration.
If you believe this random mix of humanity, of intention, of consciousness, cannot exist side by side, then Eclipse 2012 was a great example that we can.
Chill out and kick back stage
Light, sound and DJs